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Joy Garnett: CV (in brief)

Lives and works in New York City

SOLO EXHIBITIONS

2008 Joy Garnett, New Paintings. Winkleman Gallery, New York

Scoundrel Time. Iona College Art Gallery, New Rochelle, NY

2007 Strange Weather. National Academy of Sciences, Washington, DC

2004 Riot. Debs & Co., New York

2001 Rocket Science. Debs & Co., New York

1999 Buster-Jangle. Debs & Co., New York

SELECTED GROUP EXHIBITIONS

2008 That Was Then… This Is Now. P.S.1-MoMA Contemporary Art Center, Long Island City, NY CURRENT

Pathetic Fallacy: Weather & Imagination. Curated by Hallie Cohen, The Philoctetes Center, New York

Atomic Afterimage. Curated by Keely Orgeman, Boston University Art Gallery, Boston, MA September

Transcendent & Sublime. Curated by Deborah Frizzell, Gallery of Contemporary Art, Sacred Heart University, Fairfield, CT September

Eden's on Fire! Platform Gallery, Seattle, WA

Registering the Invisible. Curated by Clayton Colvin, Space 301, Mobile, AL

2007 Pulse Miami, Winkleman Gallery, Miami, FL

Double X-Rated: Where the Girls Are. Curated by Amelia Abdullahsani, Stellan Holm Gallery, New York

Greener Pastures, Permanent Midnight. Curated by Ingrid Chu, Moti Hasson Gallery, New York

One Day I Will Control The Sun. Curated by J.J. Garfinkle, Arsenal Gallery, Central Park, New York

project:rendition. With Joy Episalla, Carrie Moyer and Carrie Yamaoka. Momenta Art, Brooklyn, NY

Visionary Anatomies. Smithsonian Institution Traveling Exhibition; Mead Art Museum, Amherst, MA;

Art League of Long Island, Dix Hills, NY; Art Museum of Western Virginia, Roanoke, VA

2006 Aqua Art Miami, Winkleman Gallery, Miami Beach, FL

Image War: Contesting Images of Political Conflict. Whitney Museum of American Art (ISP), New York

Peace Tower for the Whitney Biennial 2006: Day for Night. The Whitney Museum of American Art, New York

Prevailing Climate. Curated by Rachel Gugelberger & Jeffrey Walkowiak, Sara Meltzer Galley, New York

When Artists Say We. Curated by Andrea Geyer & Christian Rattemeyer, Artists Space, New York

Run For Your Lives! DiverseWorks, Houston, TX

Visionary Anatomies. Smithsonian Institution Traveling Exhibition; University Museums, U. of Delaware

Summer Show. Aeroplastics Contemporary, Brussels, Belgium

2005 Atomica. Curated by Ombretta Agro & Lea Freid, Lombard-Freid Fine Arts & Esso Gallery, New York

Regarding Clementine. Curated by Choire Sicha, Clementine Gallery, New York

The Obligation to Endure. Curated by Nick Debs, New York Academy of Sciences, New York

Blasts. Curated by Paul Brewer, G Fine Art, Washington, DC

Visionary Anatomies. Smithsonian Institution Traveling Exhibition. The Monmouth Museum, NJ

Trouble in Paradise. Curated by Amy Lipton, Abington Art Center, Jenkintown, PA

After Nature: Figurative Paintings & Drawings by 20 Artists. Aeroplastics Contemporary, Brussels, Belgium

Boost in the Shell (The Pursued). Curated by Jerome Jacobs, De Bond, Bruges, Belgium

Summer Ensemble. Aeroplastics Contemporary, Brussels, Belgium

Copilandia. Curated by Robin Kahn & Kirbly Gookin, Sevilla Entre Culturas Festival, Centro de Arte de Sevilla, Spain

2004 Terrorvision. Exit Art, New York

The Infinite Fill Show. Curated by Cory & Jamie Arcangel, Foxy Production, New York

Watch What We Say. Curated by Marc Lepson, Schroeder Romero, Brooklyn, New York

Visionary Anatomies. Smithsonian Institution Traveling Exhibition. National Academy of Sciences, Washington, DC

Pulse of America. Aeroplastics Contemporary, Brussels, Belgium

2003 Americana. Crossings: Curatorial & Artistic Practice. Curated by Anne Ellegood & Rachel Gugelberger, School of

Visual Arts West Side Gallery, NY

The World’s A Mess, It’s In My Kiss. Debs & Co., New York

Without Fear or Reproach. De Witte Zaal, Ghent, Belgium

2002 Friends & Family. Lombard-Freid Fine Arts, New York

Night Vision. . Illinois State University Galleries, IL; White Columns, New York

2001 Fast Forward Miami, Debs & Co., Hotel Nash, Miami Beach, FL

SuperNature: Landscape in Contemporary Art. Inman Gallery, Houston, TX

2000 Meat Market Art Fair, Debs & Co., New York

The UFO Show. Illinois State University Galleries, IL; Arts & Science Center, Pine Bluff, AR;

University of Colorado Galleries, Colorado Springs, CO

N01se. Kettle’s Yard, Cambridge; The Wellcome Trust, London, UK

1999 Persuasion. Curated by Roxana Marcoci & Lea Freid, Lombard-Freid Fine Arts, New York

Stars of Track and Field. Debs & Co., New York

1998 Ground Control. Lombard-Freid Fine Arts, New York

Summer Show. Debs & Co., New York

Bioethics: Thresholds of Corporal Completeness. Side Street Projects, Santa Monica, CA

SELECTED BIBLIOGRAPHY

2008 Lauren O’Neill-Butler, Artforum.com Critics’ Picks: Joy Garnett, Winkleman Gallery

Jennifer Coates, Time Out New York: Art Review, Chelsea: Joy Garnett, Winkleman Gallery

Robert Knafo, NewArtTV: Exhibitions, interviews: A Stiff Brush with Photojournalism, Joy Garnett, Winkleman Gallery

Regina Hackett, Seattle Post-Intelligencer: “Paint That Burns Through Narrative.”

2007 Harper’s Magazine, February Issue, Portfolio: “On the Rights of Molotov Man: Appropriation

and the art of context.” By Joy Garnett and Susan Meiselas

Holland Cotter, The New York Times: “Double X-Rated: Where The Girls Are.”

The New Yorker, Galleries-Brooklyn: “Project: Rendition.”

Jeffrey Cyphers Wright, Chelsea Now: “Landscape on the installation plan.”

Jessica Dawson, The Washington Post: “Katrina, Immortalized in Oil.”

Ariella Budick, Newsday, “‘Anatomies’ examines the beauty within.”

2006 Holland Cotter, The New York Times: “Prevailing Climate at Sara Meltzer Gallery.”

Benjamin Genocchio, The New York Times: “The Medium is the Message (And Vice Versa).”

Murtaza Vali, Bidoun, Fall 2006: “‘Image War: Contesting Images of Political Conflict’ Whitney Museum

of American Art / City University of New York.”

Edith Newhall, The Philadelphia Inquirer: “Looking skyward for a spark.”

Harper’s Magazine: Reproductions, Strange Weather series. January Issue

2005 RC. Baker, The Village Voice, Short List: “Atomica,” Lombard-Freid Fine Arts and Esso Gallery

Louis Jacobson, Washington City Paper: City Lights, Critics’ Picks: “Blasts” at G Fine Art.

Victoria Donohoe, The Philadelphia Inquirer: “Show examines environment and landscape.”

Jessica Dawson, The Washington Post, Style section: “From Life's Parts, Dissecting the Art.”

2004 The New Yorker, Galleries-Chelsea: “Joy Garnett, Riot.”

Roberta Smith, The New York Times: “The Infinite Fill Group Show.”

Grace Glueck, The New York Times: “'TERRORVISION': Sampling Degrees of Terror, From Al Qaeda to Cancer.”

Karen Rosenberg, New York Magazine: April 26-30, “Galleries Exercise their First Amendment Rights.”

Jane Harris, The Village Voice: “Getting Personal, and Very Idiosyncratic at Exit Art.”

Rachel Greene, Internet Art, Thames & Hudson, World of Art series, London, UK

Harper’s Magazine: Reproductions, Rocket Science series. June Issue.

2003 Tom Vanderbilt, Knowledge Circuit, Design Institute, University of Minnesota: “War as Architecture.”

Cabinet Magazine, Issue 12, The Enemy: Postcard Project

2002 Tim Griffin, Night Vision catalog essay. First Pulse Projects, Inc., New York

The New Yorker, Galleries-Chelsea: “Night Vision.”

2001 Hilarie M. Sheets, ArtNews, March Issue: “Reinventing the Landscape.”

Kevin Pratt, Time Out New York, May 17-24: “Joy Garnett, Rocket Science.”

Interaction: Artistic Practice in the Network, edited by Amy Scholder & Jordan Crandall; Eyebeam/DAP, New York

1999 Christopher Phillips, Art in America, November Issue: “Joy Garnett at Debs & Co.”

Tim Griffin, Time Out New York, June 3-10: “Joy Garnett, ‘Buster-Jangle.’”

The New Yorker, Galleries-Chelsea: “Joy Garnett at Debs & Co.”

Ken Johnson, The New York Times, Art Guide: “Joy Garnett at Debs & Co.”

1998 Claudine Isé, The Los Angeles Times: “Examining Consequences of Medical Advances.”

Ken Johnson, The New York Times, Art Guide: “Ground Control.”

SELECTED EXHIBITION CATALOGS

2007 Strange Weather. Lucy Lippard + Andrew Revkin. National Academy of Sciences, Washington, DC.

2006 Image War: Contesting Images of Political Conflict. Benjamin Godsill (et al.). Whitney Museum of American Art, New York

2005 Boost in the Shell (The Pursued). De Bond Exhibition Hall, Bruges, Belgium

2004 Visionary Anatomies. Dr. Michael Sappol. National Academy of Sciences, Washington, DC

2002 Night Vision. Tim Griffin. First Pulse Projects, Inc., New York

2001 Rocket Science. Manuel DeLanda & Bruce Sterling. Debs & Co., New York

2000 The UFO Show. Barry Blinderman, Carlo McCormick, et al. Illinois State University Galleries, Normal, IL

N01se: Information & Transformation. Umberto Eco, Bruno Latour, Bruce Sterling. Kettle’s Yard, Cambridge, UK

AWARDS, GRANTS, FELLOWSHIPS

2007 Artist in Residence, iCommons Summit, Dubrovnik, Croatia

2005 Residency, Atlantic Center for the Arts, New Smyrna Beach, FL

2004 Anonymous Was a Woman Foundation, New York

2003 MAD ‘03 NET, Second International Experimental Art Festival, Madrid, Spain

2002; 2003 Manhattan Community Arts Fund, Lower Manhattan Cultural Council, New York

2000 The Wellcome Trust, London, London, UK

1990; 1991 Elizabeth Ralston McCabe Connor Award, The City College of New York

CURATED EXHIBITIONS

2006 Out of the Blue. Organized with Joy Episalla and Amy Lipton. Abington Art Center, Jenkintown, PA

2002-2003 Night Vision. Originating: Illinois State University Galleries, Normal, IL; traveled to: White Columns,

New York; University Art Gallery, Central Michigan University, Mt Pleasant, MI

EDUCATION

1991 MFA The City College of New York

L’École Nationale Supérieure des Beaux-Arts, Paris, France

1983 BA McGill University, Montreal, Quebec, Canada

The American University in Cairo, Egypt

PUBLIC + CORPORATE COLLECTIONS

Philip Morris

National Academy of Sciences, Washington, DC

The West Collection, Oaks, PA

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