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Joy Garnett: CV   DOWNLOAD PDF

  

EXHIBITIONS   |   BIBLIOGRAPHY   |    CATALOGS   |   AWARDS  |   CURATED   |    EDUCATION   |   COLLECTIONS

 

 

PUBLISHED  WRITINGS

 

2010     “On the American Apocalyptic  Sublime,” with Armitage, J. Virilio Now: Current Perspectives in Virilio Studies. 

Polity, Cambridge, UK;  Henan University Press, Beijing, 2010.

2009     “Radicalizing Refamiliarization,” with Armitage, J. Journal of Visual Culture 8:2

2008     “On the Rights of Molotov Man:  Appropriation and the art of context,” The Advanced College Essay:

            Education and the Professions. New York University, Expository Writing Program. Boston: Pearson Publishing

2007     “On the Rights of Molotov Man:  Appropriation and the art of context,” with Meiselas, S. Harper’s (Feb),.53-58.

2006     Under Fire II: The organization and representation of violence, Jordan Crandall (ed.). Witte de With Center for

Contemporary Art, Rotterdam (contributor)

2005     Under Fire II: The organization and representation of violence, Jordan Crandall (ed.). Witte de With Center for Contemporary Art, Rotterdam

            “Follow the Image,” Cultural Politics 1:1

            “In Their Own Words,” NYFA Current 14:8

2004     “Steal This Look,” Intelligent Agent 4:2

2001     Interaction: Artistic Practice in the Network, edited by Amy Scholder & Jordan Crandall; Eyebeam/DAP, New York (contributor)

1999-2001         “Into Africa,” Artnet Magazine. Column on the Arts of Africa

 

 

PRESS

 

2010     Canteen Magazine. Reproduction. Issue 6.

Interview: Joy Garnett with Ryan Bishop. Theory Culture + Society, April 2010. To coincide with special issue, “Changing Climates.”

“Project: Rendition.” Public Culture 22:1 (Spring 2010), Duke University Press. Photo Essay. With Joy Episalla, Carrie Moyer + Carrie Yamaoka.

 

2009     Lori Cole, Artforum Critics’ Picks: “Things Fall Apart, Winkleman Gallery.”

            Jillian Steinhauer, ARTINFO Editor's Picks:  "Art for Troubled Times: 'Things Fall Apart.'"

 

2008     Lauren O’Neill-Butler, Artforum Critics’ Picks: “Joy Garnett, Winkleman Gallery.”

Jennifer Coates, Time Out New York: Art Review, Chelsea: “Joy Garnett, Winkleman Gallery.”

Robert Knafo, NewArtTV: Exhibitions, Interviews: “A Stiff Brush with Photojournalism, Joy Garnett, Winkleman Gallery.”

Regina Hackett, Seattle Post-Intelligencer: “Paint That Burns Through Narrative.”

 

2007     Holland Cotter, The New York Times: “Double X-Rated: Where The Girls Are.”

            The New Yorker, Galleries-Brooklyn: “Project: Rendition.”

            Jeffrey Cyphers Wright, Chelsea Now: “Landscape on the installation plan.”

            Jessica Dawson, The Washington Post: “Katrina, Immortalized in Oil.”

            Ariella Budick, Newsday, “‘Anatomies’ examines the beauty within.”

 

2006     Holland Cotter, The New York Times: “Prevailing Climate at Sara Meltzer Gallery.”

            Benjamin Genocchio, The New York Times: “The Medium is the Message (And Vice Versa).” 

            Murtaza Vali, Bidoun, Fall 2006: “‘Image War: Contesting Images of Political Conflict’ Whitney Museum

of American Art / City University of New York.”

            Edith Newhall, The Philadelphia Inquirer: “Looking skyward for a spark.”

            Strange Weather series. Harper’s, January Issue (reproductions)

 

2005     RC. Baker, The Village Voice, Short List: “Atomica,” Lombard-Freid Fine Arts and  Esso Gallery

            Louis Jacobson, Washington City Paper: City Lights, Critics’ Picks: “Blasts” at G Fine Art.

            Victoria Donohoe, The Philadelphia Inquirer: “Show examines environment and landscape.”

            Jessica Dawson, The Washington Post, Style section: “From Life's Parts, Dissecting the Art.”

            Rocket Science series. Perspecta 36: “Juxtapositions”. Yale School of Architecture Journal (reproductions)

 

2004     The New Yorker, Galleries-Chelsea: “Joy Garnett, Riot.”

            Roberta Smith, The New York Times: “The Infinite Fill Group Show.”

            Grace Glueck, The New York Times: “'TERRORVISION': Sampling Degrees of Terror, From Al Qaeda to Cancer.”

            Karen Rosenberg, New York Magazine: April 26-30, “Galleries Exercise their First Amendment Rights.”

            Jane Harris, The Village Voice: “Getting Personal, and Very Idiosyncratic at Exit Art.”

            Rachel Greene, Internet Art, Thames & Hudson, World of Art series, London, UK

            Rocket Science series. Harper’s, June Issue (reproductions)

 

2003     Tom Vanderbilt, Knowledge Circuit, Design Institute, University of Minnesota: “War as Architecture.”

            Cabinet Magazine, Issue 12, The Enemy: Postcard Project

 

2002     Tim Griffin, Night Vision catalog essay. First Pulse Projects, Inc., New York

            The New Yorker, Galleries-Chelsea: “Night Vision.”

 

2001     Hilarie M. Sheets, ArtNews, March Issue: “Reinventing the Landscape.” 

            Kevin Pratt, Time Out New York, May 17-24: “Joy Garnett, Rocket Science.”

           

1999     Christopher Phillips, Art in America, November Issue: “Joy Garnett at Debs & Co.”

            Tim Griffin, Time Out New York, June 3-10: “Joy Garnett, ‘Buster-Jangle.’” 

            The New Yorker, Galleries-Chelsea: “Joy Garnett at Debs & Co.”

            Ken Johnson, The New York Times, Art Guide: “Joy Garnett at Debs & Co.”

 

1998     Claudine Isé, The Los Angeles Times: “Examining Consequences of Medical Advances.”

            Ken Johnson, The New York Times, Art Guide: “Ground Control.”

 

 

 

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