Selected Solo and Two-Person Exhibitions / Performances
2007
Circuits Maximus (with Ben Neill), Scanners:
2006
Playvision, (with Ben Neill), The World Financial Center,
XIX, (with Ben Neill), Fisher Center
for the Performing Arts at Bard College, Spiegel Tent, Annandale-on-Hudson, NY
2005
Palladio, (with Ben Neill), The Leonard Nimoy Thalia Theatre, Symphony Space,
Palladio, (with Ben Neill), New Territories Festival 2005,
2004
W Hotel, (with Ben Neill),
Terrorvision, (with Ben Neill) video series: Life During Wartime, Exit
2003
Nite Nite (with Ben Neill)
Remote Lounge, (with Ben Neill),
W Hotel, (with Ben Neill),
2002
Night Vision Performance: Life
During Wartime, (with Ben Neill), White Columns,
Remote Lounge, (with Ben Neill),
Automotive Tour, (with Ben Neill), Various US and Canadian venues
2000
Pulse 6 (with Ben
Neill), Revolution Gallery,
1999
Pulse 48 (with Ben Neill)
1997
Bill Jones, Willed Photographs, (solo survey)
The Koffler Center,
1995
Bill Jones: Photographs, Garnet Press Gallery,
1994
Chrysanne Stathacos and Bill Jones, The
Superstition, Garnet Press Gallery,
Bill Jones: Photographs, Lipton Owens Co,
1993
Black Heart, Garnet Press Gallery,
1992
Angel Chaser,
1991
Orectic Objects, Garnet Press Gallery,
1990
Investigation,
Meditations, Lamentations, Bill Jones Selections 1970-90,
Presentation House, N. Vancouver (catalogue)
1981
Bill Jones:
Ten Years of Multiple Image Narratives, The International
1976
Bill Jones:
A Survey, The Vancouver Art Gallery (catalogue)
1972
Exploratory
Space, The
1969
Areas of Control,
Selected
Group Exhibitions
2007
Orion’s
Belt, Sheppard Gallery,
2006
Out of the Blue, Abington Art Center, Jenkintown, PA
2005
18 Illuminations: A Chandelier. Originating:
This Must Be The Place, (with Ben Neill), The Center for Curatorial Studies,
DiVA – The First Annual Digital +
Video Art Fair, (with Ben Neill), (Van Brunt
Gallery), Embassy Suites Hotel,
The Landscape Show, (with Ben Neill), Van Brunt Gallery, Beacon,
2004
Terrorvision remixed, (with Ben Neill), Exit Art,
Terrorvision, (with Ben Neill), performed at AmBush, Van Brunt Gallery, New
York
2003
Night Vision, (with Ben Neill), Central Michigan University Gallery,
Summer Exhibition, (with Ben Neill), Van Brunt Gallery, Beacon,
2002
The Magic of Light, (with Ben Neill), The Hudson River Museum,
Friends + Family, Lombard Freid Fine Arts,
Night Vision, (with Ben Neill), Illinois State University Galleries; White
Columns,
2000
Subject to Sound , (with Ben Neill),
Rotunda Gallery,
Noise, (with Ben
Neill), Kettles Yard, Cambridge (UK) + The Wellcome Trust, London (UK)
(catalogues)
Millennial Celebration, (with Ben Neill), The
1999
The
1998
Summer Show, Debs and Co.,
Fin de Siêcle festival, (with
Ben Neill), Nantes (France)
1996
The Shape of Sound (with Ben Neill) Exit
The Cascade Lounge, (with Ben Neill), Art Exchange,
1995
The Experimenters, curated by Kenny Shachter,
Lombard Freid Fine Arts,
Wheel of Fortune, curated by Amy Lipton, Lombard
Freid Fine Arts,
1994
Metaphysical Metaphors, The
1993
Visual Evidence, The Makenyil Art Center,
1992
Contemporary Abstract Photography,
Four Sheets to the Wind, Garnet Press Gallery,
1990
Working In Brooklyn, The Brooklyn Museum (catalogue)
Behind the Scenes, White Columns,
Furnace, Garnet Press Gallery,
Reconciling the Unverifiable,
Sex and Language, Garnet Press Gallery,
1980
Invented
Images,
1978
The Altered Photograph, PS1,
1973
Trajectories ’73, Musée d’Art Moderne, Paris (France)
1971
A Plastic Presence, The
1970
A Plastic Presence, The Jewish Museum,
2005
Virgil Moorefield + Jeffrey Weeter, “The Lucid Dream Ensemble: a
laboratory of discovery in the age of convergence,” Organized Sound: An International Journal of Music &
Technology, Cambridge University Press, (
The New Yorker, “Palladio” at Symphony Space,
John Schaefer, “The Art of Collaboration,” Soundcheck
interviews Ben Neill, WNYC Radio
Flavorpill, “Palladio Feat at Symphony
Space, New York”
Holly Daggers, "Is it Art? Is it Advertising?" The
Forward Motion Theatre, New York
Joseph Nechvatal, “Palladio: a multi-media spectacle by Ben
Neill + Bill Jones,” Intelligent Agent, Vol.4, no.4
Joseph Nechvatal, “Palladio: a multi-media spectacle by Ben
Neill + Bill Jones,” The Thing, New York
John Nelson, Interview with Ben Neill and Bill Jones, Pulse
Magazine,
2004
Nicole Edwards, “Front & Center: 'Smoke' weds music with
the art of video,” Poughkeepsie Journal, Jan. 9
Flavorpill, “Ben Neill and Bill Jones:
Terrorvision Remixed,” May
2002
Tricia Romano, “Club Crawl,” The Village Voice, Sept.
18
“Pick,” Instyle Magazine/Ryuko Tsushin,
“News & Around,” Tema Celeste, May/June 2002 (reproduction)
Flavorpill, #110, “Night Vision: Panel,”
Lab 71, Issue 3, “Joy Garnett’s Night Vision.”
"Night Vision: Out at White Columns in
Grace Glueck,” Painting Exuberant Forms With a Palette of
Light,” The New York Times, Mar. 1
1999
Philip Glahn, “The Politics of the Machine,” Afterimage,
November
Robert Mahoney, “Bill Jones/Ben Neill, ‘Pulse 48’, Sandra
Gering Gallery" Time Out New York , Aug. 26 (reproduction)
1997
Roberta Smith, “Art Exchange Show,” The New York Times,
May 30
1994
Charles Hagan, The New York Times: Art Review, Jan. 7
1989
Roger Denson, “Bill Jones at the Rotunda Gallery,” Flash
Art, October
Nancy Campbell, “Furnace,” Garnett Press Gallery,
Donna Lypchuk, “Sex and Language,” Garnett Press Gallery,
Roger Denson, “Reconciling the Unverifiable: The New
Metaphysical Artists,” Tema Celeste, Summer
1985
Klauss Ottman, “Bill Jones/Art City,” Flash Art,
October
David Robbins, “Bill Jones/Art City,” ArtNews,
November
1979
Grace Glueck, “The Altered Photograph, The New York Times,
May 18
1964-69
University of
Editorial
Positions
Editor ArtByte
Magazine (1997-2000)
Managing Editor Art On
Paper (1996-1997)
Editor, Trans (1992-1995)
Managing Editor Arts
Magazine (1987-1991)
Art Bank
Art Gallery of Ontario,
CBC Canada
National Gallery of Canada, Ottawa
Museum of Modern Art, New York