Bill Jones      530 LaGuardia Place, 5th floor New York New York  10012



Selected Solo and Two-Person Exhibitions / Performances




Circuits Maximus (with Ben Neill), Scanners: New York Video Festival, The Walter Reade Theater, Lincoln Center, NY



Playvision, (with Ben Neill), The World Financial Center, New York

XIX, (with Ben Neill), Fisher Center for the Performing Arts at Bard College, Spiegel Tent, Annandale-on-Hudson, NY



Palladio, (with Ben Neill), The Leonard Nimoy Thalia Theatre, Symphony Space, New York  

Palladio, (with Ben Neill), New Territories Festival 2005, Glasgow, Scotland



W Hotel, (with Ben Neill), New York

Terrorvision, (with Ben Neill) video series: Life During Wartime, Exit Art, New York



Nite Nite (with Ben Neill) Sandra Gering Gallery, New York

Remote Lounge, (with Ben Neill), New York

W Hotel, (with Ben Neill), New York



Night Vision Performance: Life During Wartime, (with Ben Neill), White Columns, New York

Remote Lounge, (with Ben Neill), New York

Automotive Tour, (with Ben Neill), Various US and Canadian venues



Pulse 6 (with Ben Neill), Revolution Gallery, Detroit MI



Pulse 48 (with Ben Neill) Sandra Gering Gallery, New York



Bill Jones, Willed Photographs, (solo survey) The Koffler Center, Toronto



Bill Jones: Photographs, Garnet Press Gallery, Toronto



Chrysanne Stathacos and Bill Jones, The Castellani Museum, Niagara Falls, New York

Superstition, Garnet Press Gallery, Toronto

Bill Jones: Photographs, Lipton Owens Co, New York



Black Heart, Garnet Press Gallery, Toronto



Angel Chaser, Amy Lipton Gallery, New York



Orectic Objects, Garnet Press Gallery, Toronto



Investigation, Meditations, Lamentations, Bill Jones Selections 1970-90, Presentation House, N. Vancouver (catalogue)



Bill Jones: Ten Years of Multiple Image Narratives, The International Center of Photography, New York C



Bill Jones: A Survey, The Vancouver Art Gallery (catalogue)



Exploratory Space, The Vancouver Art Gallery



Areas of Control, Henri Gallery, Washington DC




Selected Group Exhibitions



Orion’s Belt, Sheppard Gallery, University of Nevada, Reno, NV



Out of the Blue, Abington Art Center, Jenkintown, PA



18 Illuminations: A Chandelier. Originating: Tom Thomson Memorial Art Gallery, Owen Sound, Ontario (traveling)

This Must Be The Place, (with Ben Neill), The Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York

DiVA – The First Annual Digital + Video Art Fair, (with Ben Neill), (Van Brunt Gallery), Embassy Suites Hotel, Lower Manhattan, New York

The Landscape Show, (with Ben Neill), Van Brunt Gallery, Beacon, New York



Terrorvision remixed, (with Ben Neill), Exit Art, New York  

Terrorvision, (with Ben Neill), performed at AmBush, Van Brunt Gallery, New York



Night Vision, (with Ben Neill), Central Michigan University Gallery, Mount Pleasant MI (catalogue)

Summer Exhibition, (with Ben Neill), Van Brunt Gallery, Beacon, New York



The Magic of Light, (with Ben Neill), The Hudson River Museum, Yonkers, New York  (catalogue)

Friends + Family, Lombard Freid Fine Arts, New York

Night Vision, (with Ben Neill), Illinois State University Galleries; White Columns, New York  (catalogue)



Subject to Sound , (with Ben Neill), Rotunda Gallery, Brooklyn, New York

Noise, (with Ben Neill), Kettles Yard, Cambridge (UK) + The Wellcome Trust, London (UK) (catalogues)

Millennial Celebration, (with Ben Neill), The Rose Center, Museum of Natural History, New York



The Boston Cyberarts Festival, Boston



Summer Show, Debs and Co., New York

Fin de Siêcle festival, (with Ben Neill), Nantes (France)



The Shape of Sound (with Ben Neill) Exit Art, New York

The Cascade Lounge, (with Ben Neill), Art Exchange, New York



The Experimenters, curated by Kenny Shachter, Lombard Freid Fine Arts, New York

Wheel of Fortune, curated by Amy Lipton, Lombard Freid Fine Arts, New York



Metaphysical Metaphors, The High Museum, Atlanta GA



Visual Evidence, The Makenyil Art Center, Regina, Saskatchewan (catalogue)



Academy of Light, Garnet Press Gallery, Toronto

Contemporary Abstract Photography, Compass Rose Gallery, Chicago

Four Sheets to the Wind, Garnet Press Gallery, Toronto



Working In Brooklyn, The Brooklyn Museum (catalogue)

Behind the Scenes, White Columns, New York

Furnace, Garnet Press Gallery, Toronto

Reconciling the Unverifiable, Amy Lipton Gallery, New York

Sex and Language, Garnet Press Gallery, Toronto



Invented Images, Santa Barbara Art Museum, Univ. of California Santa Barbara; The Portland Art Museum (catalogue)



The Altered Photograph, PS1, Long Island City, New York



Trajectories ’73, Musée d’Art Moderne, Paris (France)



A Plastic Presence, The Milwaukee Art Center, WI; The San Francisco Museum of Modern Art, CA



A Plastic Presence, The Jewish Museum, New York




Selected Bibliography (Publications list and reviews on request)



Virgil Moorefield + Jeffrey Weeter, “The Lucid Dream Ensemble: a laboratory of discovery in the age of convergence,” Organized Sound: An International Journal of Music &

Technology, Cambridge University Press, (UK) Vol.10, no.4

The New Yorker, “Palladio” at Symphony Space, New York

John Schaefer, “The Art of Collaboration,” Soundcheck interviews Ben Neill, WNYC Radio

Flavorpill, “Palladio Feat at Symphony Space, New York”

Holly Daggers, "Is it Art? Is it Advertising?" The Forward Motion Theatre, New York

Joseph Nechvatal, “Palladio: a multi-media spectacle by Ben Neill + Bill Jones,” Intelligent Agent, Vol.4, no.4

Joseph Nechvatal, “Palladio: a multi-media spectacle by Ben Neill + Bill Jones,” The Thing, New York

John Nelson, Interview with Ben Neill and Bill Jones, Pulse Magazine, Poughkeepsie, New York



Nicole Edwards, “Front & Center: 'Smoke' weds music with the art of video,” Poughkeepsie Journal, Jan. 9

Flavorpill, “Ben Neill and Bill Jones: Terrorvision Remixed,” May



Tricia Romano, “Club Crawl,” The Village Voice, Sept. 18

“Pick,” Instyle Magazine/Ryuko Tsushin, Tokyo, August (reproduction)

“News & Around,” Tema Celeste, May/June 2002  (reproduction)

Flavorpill, #110, “Night Vision: Panel,”

Lab 71, Issue 3, “Joy Garnett’s Night Vision.”

"Night Vision: Out at White Columns in New York," Artnet Magazine, July 2: photos by Paul Laster

Grace Glueck,” Painting Exuberant Forms With a Palette of Light,” The New York Times, Mar. 1



Philip Glahn, “The Politics of the Machine,” Afterimage, November

Robert Mahoney, “Bill Jones/Ben Neill, ‘Pulse 48’, Sandra Gering Gallery" Time Out New York , Aug. 26 (reproduction)



Roberta Smith, “Art Exchange Show,” The New York Times, May 30



Charles Hagan, The New York Times: Art Review, Jan. 7



Roger Denson, “Bill Jones at the Rotunda Gallery,” Flash Art, October

Nancy Campbell, “Furnace,” Garnett Press Gallery, Toronto, C Magazine, Fall

Donna Lypchuk, “Sex and Language,” Garnett Press Gallery, Toronto, C Magazine, Summer

Roger Denson, “Reconciling the Unverifiable: The New Metaphysical Artists,” Tema Celeste, Summer



Klauss Ottman, “Bill Jones/Art City,” Flash Art, October

David Robbins, “Bill Jones/Art City,” ArtNews, November



Grace Glueck, “The Altered Photograph, The New York Times, May 18






University of Oregon, Eugene



Editorial Positions


Editor ArtByte Magazine (1997-2000)

Managing Editor Art On Paper (1996-1997) 

Editor, Trans (1992-1995)

Managing Editor Arts Magazine (1987-1991)               



Public Collections


Art Bank

Art Gallery of Ontario, Toronto

CBC Canada

London Art Gallery, London, Ontario

National Gallery of Canada, Ottawa

Vancouver Art Gallery

Museum of Modern Art, New York