Bill
Jones http://bill-jones.com
bjones02@gmail.com
Selected
Solo and Two-Person Exhibitions / Performances
2007
Circuits Maximus (with Ben Neill), Scanners:
2006
Playvision, (with Ben Neill), The World Financial Center,
XIX, (with Ben Neill), Fisher Center for
the Performing Arts at Bard College, Spiegel Tent, Annandale-on-Hudson, NY
2005
Palladio, (with Ben Neill), The Leonard Nimoy
Thalia Theatre, Symphony Space,
Palladio, (with Ben Neill), New
Territories Festival 2005,
2004
W Hotel, (with Ben Neill),
Terrorvision, (with Ben Neill) video series: Life
During Wartime, Exit
2003
Nite Nite (with Ben Neill)
Remote
Lounge, (with Ben Neill),
W Hotel, (with Ben Neill),
2002
Night
Vision Performance: Life During Wartime, (with Ben Neill), White Columns,
Remote
Lounge, (with Ben Neill),
Automotive Tour, (with Ben Neill), Various US
and Canadian venues
2000
Pulse 6 (with Ben Neill), Revolution Gallery,
1999
Pulse 48 (with Ben Neill)
1997
Bill
Jones, Willed Photographs, (solo survey) The Koffler Center,
1995
Bill
Jones: Photographs,
Garnet Press Gallery,
1994
Chrysanne
Stathacos and Bill Jones, The
Superstition, Garnet Press Gallery,
Bill
Jones: Photographs,
Lipton Owens Co,
1993
Black
Heart, Garnet Press
Gallery,
1992
Angel
Chaser,
1991
Orectic
Objects, Garnet
Press Gallery,
1990
Investigation, Meditations,
Lamentations, Bill Jones Selections 1970-90, Presentation House, N. Vancouver (catalogue)
1981
Bill Jones: Ten Years of Multiple
Image Narratives,
The International
1976
Bill Jones: A Survey, The Vancouver Art Gallery
(catalogue)
1972
Exploratory Space, The
1969
Areas of
Control,
Selected
Group Exhibitions
2007
Orion’s
Belt, Sheppard
Gallery,
2006
Out of
the Blue, Abington
Art Center, Jenkintown, PA
2005
18
Illuminations: A Chandelier. Originating:
This Must
Be The Place, (with
Ben Neill), The Center for Curatorial Studies,
DiVA –
The First Annual Digital + Video Art Fair, (with Ben Neill), (Van Brunt Gallery), Embassy
Suites Hotel,
The
Landscape Show,
(with Ben Neill), Van Brunt Gallery, Beacon,
2004
Terrorvision
remixed, (with Ben
Neill), Exit Art,
Terrorvision, (with Ben Neill), performed at AmBush,
Van Brunt Gallery, New York
2003
Night
Vision, (with Ben
Neill), Central Michigan University Gallery,
Summer
Exhibition, (with
Ben Neill), Van Brunt Gallery, Beacon,
2002
The Magic
of Light, (with Ben
Neill), The Hudson River Museum,
Friends +
Family, Lombard
Freid Fine Arts,
Night
Vision, (with Ben
Neill), Illinois State University Galleries; White Columns,
2000
Subject
to Sound , (with Ben
Neill), Rotunda Gallery,
Noise, (with Ben Neill), Kettles Yard,
Cambridge (UK) + The Wellcome Trust, London (UK) (catalogues)
Millennial
Celebration, (with
Ben Neill), The
1999
The
1998
Summer
Show, Debs and Co.,
Fin de Siêcle festival, (with Ben Neill),
Nantes (France)
1996
The Shape
of Sound (with Ben
Neill) Exit
The
Cascade Lounge,
(with Ben Neill), Art Exchange,
1995
The
Experimenters,
curated by Kenny Shachter, Lombard Freid Fine Arts,
Wheel of
Fortune, curated by
Amy Lipton, Lombard Freid Fine Arts,
1994
Metaphysical
Metaphors, The
1993
Visual
Evidence, The Makenyil Art Center,
1992
Contemporary
Abstract Photography,
Four
Sheets to the Wind,
Garnet Press Gallery,
1990
Working
In Brooklyn, The
Brooklyn Museum (catalogue)
Behind
the Scenes, White
Columns,
Furnace, Garnet Press Gallery,
Reconciling
the Unverifiable,
Sex and
Language, Garnet
Press Gallery,
1980
Invented Images,
1978
The
Altered Photograph,
PS1,
1973
Trajectories ’73, Musée d’Art
Moderne, Paris (France)
1971
A Plastic
Presence, The
1970
A Plastic
Presence, The Jewish
Museum,
Selected Bibliography (Publications list
and reviews on request)
2005
Virgil Moorefield + Jeffrey Weeter,
“The Lucid Dream Ensemble: a laboratory of discovery in the age of
convergence,” Organized Sound: An International Journal of Music &
Technology, Cambridge University Press, (
The New
Yorker, “Palladio” at
Symphony Space,
John
Schaefer, “The Art of Collaboration,” Soundcheck interviews Ben Neill,
WNYC Radio
Flavorpill, “Palladio Feat at Symphony Space,
New York”
Holly
Daggers, "Is it Art? Is it Advertising?" The Forward Motion Theatre,
New York
Joseph
Nechvatal, “Palladio: a multi-media spectacle by Ben Neill + Bill Jones,” Intelligent
Agent, Vol.4, no.4
Joseph
Nechvatal, “Palladio: a multi-media spectacle by Ben Neill + Bill Jones,” The
Thing, New York
John Nelson,
Interview with Ben Neill and Bill Jones, Pulse Magazine,
2004
Nicole
Edwards, “Front & Center: 'Smoke' weds music with the art of video,” Poughkeepsie
Journal, Jan. 9
Flavorpill, “Ben Neill and Bill Jones:
Terrorvision Remixed,” May
2002
Tricia
Romano, “Club Crawl,” The Village Voice, Sept. 18
“Pick,” Instyle
Magazine/Ryuko Tsushin,
“News &
Around,” Tema Celeste, May/June 2002 (reproduction)
Flavorpill, #110, “Night Vision: Panel,”
Lab 71, Issue 3, “Joy Garnett’s Night
Vision.”
"Night
Vision: Out at White Columns in
Grace
Glueck,” Painting Exuberant Forms With a Palette of Light,” The New York
Times, Mar. 1
1999
Philip
Glahn, “The Politics of the Machine,” Afterimage, November
Robert
Mahoney, “Bill Jones/Ben Neill, ‘Pulse 48’, Sandra Gering Gallery" Time
Out New York , Aug. 26 (reproduction)
1997
Roberta
Smith, “Art Exchange Show,” The New York Times, May 30
1994
Charles Hagan,
The New York Times: Art Review, Jan. 7
1989
Roger
Denson, “Bill Jones at the Rotunda Gallery,” Flash Art, October
Nancy
Campbell, “Furnace,” Garnett Press Gallery,
Donna
Lypchuk, “Sex and Language,” Garnett Press Gallery,
Roger
Denson, “Reconciling the Unverifiable: The New Metaphysical Artists,” Tema
Celeste, Summer
1985
Klauss
Ottman, “Bill Jones/Art City,” Flash Art, October
David
Robbins, “Bill Jones/Art City,” ArtNews, November
1979
Grace
Glueck, “The Altered Photograph, The New York Times, May 18
Education
1964-69
University
of
Editorial
Positions
Editor ArtByte
Magazine (1997-2000)
Managing
Editor Art On Paper (1996-1997)
Editor, Trans
(1992-1995)
Managing
Editor Arts Magazine
(1987-1991)
Public Collections
Art Bank
Art Gallery
of Ontario,
CBC Canada
National
Gallery of Canada, Ottawa
Museum
of Modern Art, New York
